2026

2026 Opera Apprentice

Soo Opera Apprentice Program

July 16th  – August 9th,  2026

Soo Apprentice Artists…

  • Perform a role in Viardot’s Cendrillon Apprentice Opera, accompanied by the Apprentice Orchestra

  • Understudy leading roles, sing comprimario roles, and/or lead sections of the ensemble in the mainstage production, Leoncavallo’s Pagliacci

  • Perform a solo with full orchestra in the Aria Showcase Concert

  • Work with professionals from across the country in masterclasses, lessons, coachings, and workshops

    Cost: $1,200 (total, tuition + housing July 15th-August 10th)

Apprentice Photo Gallery

2026 Opera - Pagliacci

Wednesday, August 5th, 2026 – 7:00pm –  Soo Theatre

Friday, August 7th, 2026 – 7:00pm – Soo Theatre

Sunday, August 9th, 2026 – 4:00pm –  Center for the Arts at Mission Point –  Mackinac Island

Stay Tuned for Details

Testimonials

My name is Emily Misch, and I'm an opera singer currently based in NYC. As an opera professional for the past ten years, I've performed in a number of venues across the United States, Canada, and Europe. I recently performed with Soo Opera in Sault Ste Marie; although my time with the company was short, it was one of the most joyous performing experiences I've ever had because of the palpable enthusiasm, care, and talent the community has for theater and music! One highlight was getting to see the lovingly restored Soo Theatre. It's such a remarkable venue, and its presence creates an incredible opportunity to bring theater and music to the town. Its continued renovation would bring so much value to the arts and the community, and I think it is the perfect candidate to receive grant money from the Local Fiscal Recovery Fund! All best, Emily

BIOS

JON TRUITT (DIRECTOR)

Jon has established a national presence as a stage director and operatic baritone in the United States, having directed over 35 professional productions alongside more than 35in academia. Recent professional directing efforts include Desert Song, Don Pasquale, and Fidelio in 2023, Falstaff and Turandot in 2022, il barbiere di Siviglia in 2021, La Fanciulla del West in 2020, and Norma and L’Elisir d’amore in 2019 at theatres across the U.S. A previous professional production of Die Zauberflöte was featured in Opera America magazine and his award-winning script translation of the opera has been remounted multiple times around the country, one of which featured the debut of internationally acclaimed bass Samuel Ramey as Sarastro.). Jon Truitt has also appeared as a leading baritone with professional opera companies across the United States, including the New Orleans Opera, Des Moines Metro Opera, Asheville Lyric Opera, Mobile Opera, Pensacola Opera, St. Petersburg Opera, Opera Illinois, the Crested Butte Music Festival, Jacksonville Opera, Soo Opera Theatre, and the Jefferson Performing Arts Society in more than forty roles from the baritone repertoire. On the concert stage, he has sung with many regional symphonies like the Evansville

Philharmonic, Jacksonville Symphony, Acadiana Symphony, and Muncie Symphony in such works as Mahler’s Lieder eines fahrenden Gesellen, Handel’s Messiah, Orff’s Carmina Burana, Britten’s War Requiem, Puccini’s Missa di Gloria, Vaughn Williams’ Dona Nobis Pacem and in many public solo recitals. Several of his concert performances have been broadcast on Public Radio and Television. He was a two-time apprentice artist with the Des Moines Metro Opera, a Metropolitan Opera Regional finalist, and a NATSAA Indiana State Winner. Dr. Truitt is also the Associate Director for Academic Affairs in the School of Music at Ball State University, in addition to being Opera Director and Professor of Voice

Jon Truitt (Director)

Casey Robards (Conductor)

CASEY ROBARDS (CONDUCTOR)

Korean American adoptee, Casey Robards (Suh Jung Ahn) is a music director, pianist and vocal coach known for her sensitive musicality, expert collaborative skill, and stylistic versatility. Her performances regularly cross between opera, art song, chamber music, and musical theatre. She has given recitals throughout the United States, and in Europe, Central and South America and Asia.  In 2024-2025, Robards has conducting debuts with Kentucky Opera, Indianapolis Opera, Opera Columbus, El Paso Opera, Soo Opera and presents song recital programs with Kenneth Overton, Karen Slack, Latoya Lain, and Jennifer Lien.  Dedicated to the performance, research and promotion of music by Black composers and writers for nearly three decades, her recent recording release “What Dreams We Have” with Kenneth Overton (Lexicon Classics) debuted at #10 on the Billboard Chart for Top Classical Album. Her latest CD release is “Contemplations” (Navona Records) with Bernhard Scully, formerly with the Canadian Brass. Robards is Music Director of Ensemble Concert 21 a chamber group devoted to the performance of contemporary music and the mentorship of young and emerging composers and Chair of the Sacred in Opera Initiative (National Opera Association). An experienced pedagogue, Dr. Robards is currently Asst. Prof. of Lyric Theatre at the University of Illinois and has also been on the faculty of Indiana University, Oberlin Conservatory and Central Michigan University. Over 17 seasons at the Bay View Music Festival, she co-directed an opera scenes program and the American Spiritual Intensive, served as Head of Collaborative Piano and played hundreds of concerts as a faculty artist. She has worked as coach/repetiteur for Santa Fe Opera, New Orleans Opera and given workshops and masterclasses at several colleges. www.caseyrobards.com

DR. CARA CHOWNING (RÈPÈTITEUR)

is in demand as coach, music director, and collaborative artist; she performs extensively throughout the US, South America, and Europe as duo partner and chamber musician. A frequent guest pianist, coach and conductor, Dr. Chowning is heard annually at summer festivals such as the Bar Harbor Music Festival, Mozart in the Knobs, and regularly performs as collaborative pianist at conventions of the National Flute Association, NASA and the International Double Reed Society. Internationally, she has been guest coach for the American Institute of Music Studies in Graz, Austria and Teatro Bicentenario in San Juan, Argentina, as well as invited artist for ABRAF in São Paulo, Brazil and the Mitad al Mundo Festival in Quito, Ecuador. Dr. Chowning has lectured and performed for Road Scholars, Uniworld cruises and been broadcast on Public Television and Radio. As a founding member of Trio Village, she is passionate about bringing music, especially from under-represented composers to diverse audiences and venues. 
Dr. Chowning has prepared opera and musical theater productions at the professional, young artist, and collegiate level. She has served on the music staff of Indianapolis Opera, Lyric Opera Cleveland, Opera Cleveland, Finger Lakes Opera, Kansas City Lyric Opera, Des Moines Metro Opera, the Bar Harbor Music Festival and Cleveland Opera where she created and prepared nationally recognized opera educational programs for performance in schools across Northeast Ohio. She has served on faculties of the Cleveland Institute of Music, Simpson College, Oklahoma City University, and the University of Illinois, Urbana-Champaign and her students and private coaching studio singers can be heard in young artist programs, in opera houses such as the Metropolitan Opera, Minnesota Opera, San Francisco Opera, and Utah Opera, on cruise ships worldwide, and both off and on Broadway.
As founder of In-tune Artistry, Dr. Chowning coaches professionals in the arts and beyond to unlock their full performance power and achieve theirs and their organizational goals. Her unique approach to wellness draws on her experiences as a 500 YTT yoga teacher, stretch coach, and multi-certified sound healer and Breathwork guide. Dr. Chowning has presented breath and movement workshops at institutions such as Ball State University, Columbia College, Washburn University, UNC Charlotte, and in numerous online coaching and audition programs. She teaches regular weekly yoga classes and leads monthly Breathwork events in different Muncie locations.
Dr. Chowning is currently the vocal coach at Ball State University and Chorus Master for Indianapolis Opera. She is a founding member of Trio Village, an all-female chamber music group committed to performing and commissioning works by historically under-represented composers. She loves exploring and working at the intersection of breath, wellness, and artistry. 
Dr. Chowning holds a Bachelor of Music degree in Piano Performance from Northwestern University, a Master of Music in Collaborative Piano from the Cleveland Institute of Music and a Doctor of Musical Arts in Accompanying and Vocal Coaching with a cognate in Orchestral Conducting from the University of Illinois at Urbana-Champaign.

DR. CARA CHOWNING (RÈPÈTITEUR)

THOMAS GUNTHER (COUNT ALMAVIVA)

THOMAS GUNTHER (COUNT ALMAVIVA)

Baritone Thomas Gunther has performed a wide range of opera, musical theatre, and concert repertoire around the world. He is thrilled to return to one of his favorite places to reprise the role of Count Almaviva after first performing it in the Soo 14 years ago. Other favorite stage performances include Marcello (La Boheme, Dominican Republic), Stanley Kowalski (A Streetcar Named Desire, Merola Opera), Germont (La Traviata, Soo Opera and Bay View), Guglielmo (Cosi fan tutte, Schenectady Symphony), Captain Corcoran (H.M.S. Pinafore, Union Avenue Opera), Eisenstein (Die Fledermaus, Winter Opera of St. Louis), Billy Bigalow (Carousel, Soo Opera), Javert (Les Miserables, University of Kentucky), Dandini (La Cenerentola, Opera in the Heights), Silvio (I Pagliacci, Sugar Creek), Raul (Phantom of the Opera, University of Kentucky), and the title roles in Sweeney Todd and Don Giovanni. He has additionally worked with Opera Theatre of St. Louis, San Francisco’s Merola Opera Program, Des Moines Metro Opera, the International Vocal Arts Institute, Bay View Opera, and La Musica Lyrica, Indianapolis Opera, Kentucky Opera, Maryland Opera, Amelia Island Opera, and First Coast Opera. Upcoming engagements include the roles of Fiorello and Elder McClean in Opera Omaha’s productions of The Barber of Seville and Susannah. Mr. Gunther is an adjunct voice professor at Doane University in Crete, NE and at University of Nebraska-Lincoln, where he works with musical theatre students. He also maintains a private voice studio.

KAREN BEACOM (COUNTESS ALMAVIVA)

With a voice and stage presence described as “warm and lyrical with a lot of dramatic power” by the Omaha World Herald, Karen Hughes Beacom has made a name for herself on the opera and concert stage. A Metropolitan Opera National Council Regional Finalist, her career has crossed borders, with international performances at the Forbidden City Concert Hall in Beijing, China as the soprano soloist in Bach’s Mass in B Minor with the Tianjin Symphony and as the Countess in Le Nozze di Figaro under the baton of Joseph Rescigno in Novafeltria, Bellaria and Sant’Archangelo, Italy.
This versatile soprano has performed dozens of leading roles in opera, with highlights including Violetta in La Traviata, Mimí in La Bohème, Donna Anna in Don Giovanni, Countess in Le Nozze di Figaro, Rosalinde in Die Fledermaus, Cio-Cio San in Madama Butterfly, Micaela in Carmen, Pamina in The Magic Flute, Fiordiligi in Cosí fan tutte, and Alexandra in the world premiere of O Pioneers!, among others. Her opera credits include Des Moines Metro Opera, Utah Festival Opera, Opera Omaha, Sun Valley Opera, DuPage Opera Theatre, Chautauqua Institution and Soo Opera.

Recent solo concert highlights include Handel’s Messiah and Saint-Saëns Oratorio de Noël with Great Lakes Chamber Orchestra, Orff’s Carmina Burana, Mozart’s Requiem and Vivaldi’s Gloria with the Keewenaw Symphony, and Beethoven’s 9th Symphony and Mendelssohn’s A Midsummer Night’s Dream with Sault Symphony Orchestra in Ontario, Canada. Karen has also appeared with the Summit Choral Society in Akron, OH, the Nebraska Choral Arts Society in Omaha, Nebraska and recorded backup vocals on the Mannheim Steamroller album Christmas Extraordinaire.

In addition to performing, Karen is the founder and artistic director of the Soo Opera in Sault Ste. Marie, Michigan. Founded in 2007 as a part of the Soo Theatre Project, Soo Opera has brought fully staged works with orchestra to the Eastern Upper Peninsula every year since its inception, including annual performances on Mackinac Island at Mission Point Theater, with their first Mackinac Island performance at the Grand Hotel. Karen also serves as the Artistic Director of Soo Theatre Project and as Director of Music at Little Stone Church.

Karen holds a Master’s Degree in Vocal Performance from the University of Nebraska-Lincoln where she studied under Metropolitan Opera Mezzo-Soprano Ariel Bybee. A student of Bybee’s in New York City where she attended the American Musical and Dramatic Academy, Karen subsequently followed her mentor and teacher to earn her degree in the field of opera. Karen holds a Bachelor’s Degree in Harp Performance from DePauw University.

KAREN BEACOM (COUNTESS ALMAVIVA)

ELIAM RAMOS (FIGARO)

ELIAM RAMOS (FIGARO)

is a Puerto Rican singer with a rich bass-baritone voice who has performed opera and concert works with companies in the United States, Spain, Israel, Puerto Rico and Mexico. His artistic engagements range from traditional opera and symphonic concerts, to zarzuelas and modern compositions. The Metropolitan Opera Guild featured Mr. Ramos in their Verdi’s Baritones Serie in their 2022-2023 season in which he also made his Carnegie Hall Debut with Clif Hardin’s Requiem.

Mr. Ramos engagements for 2024-2025 include Alfio from Cavalleria Rusticana with Regina Opera, Bach’s Cantata No. 33 with Bach in Baltimore, the Doctor in the world premiere of The Extinctionist with Heartbeat Opera, Hayden’s Lord Nelson Mass with the Eastern Connecticut Symphony Orchestra, various roles with the American Opera Project’s Opera Lab, the role of Cascada and the cover of Baron Zeta in Lehar’s Die Lustige Witwe (Merry Widow) with Geneva Light Opera, Pap (Fannie Lou Hammer’s husband) in the world premier of Is This America with White Snake Projects, Scarpia in Tosca and Silvio in I Pagliacci both with Regina Opera and Bach’s Cantata 82 with Bach in Baltimore, soloist in the world premier of Paul Aiken’s Missa Pro Terra at Carnegie Hall, Beethoven’s 9th with the New Britain Symphony Society, Dumas in Rossini Perduto with the Long Island Concert Orchestra, Dulcamara in L’Elisir D’Amore with Boston’s Bar Harbor Festival, Figaro in Le Nozze di Figaro with Soo Opera, as well as different concerts in the NYC area.

SUNA AVCI GUNTHER (SUSANNA)

 is thrilled to spend another summer season with Soo Opera both on and off stage. She has previously appeared as Flora (La Traviata), Musetta (La Bohème), and Mrs. McClean (Susannah), and has directed productions of Gianni Schicchi, Die Fledermaus, excerpts of Le Nozze di Figaro, and The Magic Flute. She has performed around the world in Chile, Peru, Micronesia, Palau, the Marshall Islands, Thailand, Cambodia, Vietnam, Singapore, Korea, Saudi Arabia, Kuwait, and Turkey, primarily as a “cultural ambassador” of the U.S. State Department. During the school year, Dr. Gunther teaches at the University of Nebraska-Lincoln. Her latest projects include commissioning and premiering micro-operas about the lives of real women with the SALT quintet and arranging a book of Turkish songs for voice and piano which is under contract with Hildegard Publishing. Dr. Gunther holds degrees from Northwestern University and Indiana University Jacobs School of Music and grew up in the Chicagoland area. She currently lives in Lincoln, NE with her husband Thom and their two daughters.

SUNA AVCI GUNTHER (SUSANNA)

ALLA SALAKHOVA (CHERUBINO)

ALLA SALAKHOVA (CHERUBINO)

is a mezzo-soprano currently pursuing a master’s degree with the University of Maryland’s Maryland Opera Studio. Recent credits with MOS include Fisherman in The Fishwife (world premier), Frau Reich cover in Die lustigen Weiber von Windsor, and scenes from Ariadne auf Naxos (The Composer) and Florencia en el Amazonas (Paula). Next season, she will perform Ramiro in La finta giardiniera and Brittomara in If I Were You.

This summer, she performed opera scenes with the Brott Music Festival and makes her role debut as Cherubino in Le nozze di Figaro with Soo Opera. Select credits include Stéphano (Roméo et Juliette), The Secretary (The Consul), Orphée (Orphée aux enfers), Petermann (Monsieur Choufleuri), Mrs. Northwind (The Enchanted Pig, Canadian premier), and Drusilla (L’incoronazione di Poppea) for which she was praised for possessing “the presence of a seasoned performer” (Opera Canada). Salakhova is a 2024 Maryland District Winner of The Metropolitan Opera Laffont Competition, the student winner of Edmonton Opera’s inaugural Rumbold Vocal Prize, and was a finalist in the Prizewinners Concert competition at Mozarteum Salzburg. An avid concert performer, she sang Mahler’s Lieder eines fahrenden Gesellen as the winner of U of A’s 2023-24 Concerto Competition and was a 2024 Toronto Summer Music Art of Song Fellow.

MARTINA PORTYCHOVA (MARCELLINA)

is a Czech mezzo-soprano whose voice weaves a rich tapestry of emotion  and storytelling, rooted in the vibrant culture of her homeland. Growing up in the picturesque  landscapes of the Czech Republic, she was surrounded by a rich musical heritage that inspired  her to pursue a career in opera from an early age. She holds both a Master’s and a Doctor of Musical Arts (DMA) degree in Voice Performance from University of Arizona, reflecting her  deep commitment to vocal excellence and scholarship.  

Having grown up in Eastern Europe, Ms. Portychova speaks a number of languages.  Her repertoire ranges from Baroque to contemporary opera, showcasing her versatility and  interpretative depth. She has performed a variety of roles across opera and concert stages  including Carmen (Carmen), Cherubino (Le Nozze di Figaro), Jo (little Women), Rosina (Il Barbiere di Siviglia), Angelina ( La Cenerentola), Nicklausse (Les Contes d’Hoffmann), Baba  (The Medium), and Old Lady (Candide). She collaborated with esteemed conductors such as  Maestro Toshiyuki Shimada, Thomas Cockrell, Steven Crawford, Martin Doubravsky, Elizabeth  Hastings, Mariusz Smolij, Guillaume Tourniere, and earning critical acclaim for her ability to  bring characters to life with authenticity and emotional resonance. She has also worked with  soprano Martina Arroyo, Katherine Johnson and opera coaches such as Pedro Yanez of Paris  Opera and Gregory Buchalter of Metropolitan Opera. 

In addition to her performance career, Martina is a dedicated voice teacher with 17 years of experience, mentoring students of all levels and preparing them for successful auditions and  careers in music.  

Moreover, Martina is a champion for cultural exchange, believing that music has the power to  connect people across borders. She frequently collaborates with artists from various  backgrounds, creating unique performances that celebrate diversity and foster understanding.

MARTINA PORTYCHOVA (MARCELLINA)

WM CLAY THOMPSON (BARTOLO/ANTONIO)

WM CLAY THOMPSON (BARTOLO/ANTONIO)

Praised for his “mahogany-timbred” voice and “imposing presence” (Opera News), with The Washington Post noting the “sinister undercurrent” of his sound and lows that “smolder like magma,” American bass Wm. Clay Thompson is emerging as one of the most compelling voices of his generation.

In the 2024–2025 season, Thompson appears as Leporello (Don Giovanni) and Don Alfonso (Così fan tutte) with Virginia Opera, Colline (La bohème) with Charleston Opera Theater, and Figaro in Le nozze di Figaro with North Carolina Opera. Concerts include Zuniga in Carmen with the Sioux City Symphony, Mozart’s Requiem with Camerata Chicago, and Mozart’s Solemn Vespers and Bach’s Magnificat with the New Choral Society.

A recent member of the Ryan Opera Center at Lyric Opera of Chicago, he debuted there as the King in Aida, Zuniga in Carmen, and Chevalier Deux in Le Comte Ory, while also covering key roles in Jenůfa, Don Carlos, Ernani, and the world premiere of Proximity.

He has appeared with the Metropolitan Opera, Santa Fe Opera, Minnesota Opera, Arizona Opera, Fort Worth Opera, Glimmerglass Festival, Château de Versailles Spectacles, and Wolf Trap Opera, among others. Notable roles include Méphistophélès, Leporello, Figaro, Nick Shadow, Olin Blitch, Prince Gremin, Colline, and Collatinus.

A recipient of the Richard F. Gold Career Grant from The Shoshana Foundation, he is an alum of the Ryan Opera Center and Minnesota Opera’s Resident Artist Program. He studied at the University of Kentucky and the University of North Texas and lives in New York City.

SOFIA LOCONTE (BARBARINA)

is a 20-year-old soprano, originally from Madison, Wisconsin. She will be entering her third year of vocal performance study at DePaul University in Chicago, where she has the privilege of studying under Professor Jeff Ray. This April, she won first place in both the Schubert Clube, Bruce P. Carlson Student Scholarship Competition, and the Chicago Chapter NATS, Classical division. Sofia recently performed as Gherardina and a Chorus Nun in her university’s production of Gianni Schicchi and Suor Angelica, respectively. She will be performing Laurie in DePaul’s production of Copland’s The Tenderland, this fall. She is thrilled to be joining Soo Opera for the first time this summer, making her role-debut as Barbarina in Le Nozze di Figaro! As an avid lover of the French language and of animals, Sofia spends her free time serving as an officer with the DePaul French Club, as well as volunteering at PAWS Animal Shelter.

SOFIA LOCONTE (BARBARINA)

TRAVIS RICHTER (BASILIO/CURZIO)

TRAVIS RICHTER (BASILIO/CURZIO)

is an opera singer by trade having performed in more than 40 operatic and musical theatre productions on professional stages across the country. Dr. Richter began performing professionally with some of the most respected and prestigious apprentice artist programs in the country, including Utah Opera, Des Moines Metro Opera, Utah Festival Opera and Central City Opera. These apprentice artist opportunities served as a springboard for his career as a principal artist with Soo Opera Theater, Rimrock Opera, Nevada Opera, Mobile Opera, Charlottesville Opera, Pensacola Opera, New Orleans Opera Association, Opera Louisiane, and Des Moines Metro Opera. As a tenor soloist Dr. Richter has performed with the Louisiana State University Symphony (Beethoven’s 9th Symphony), Baton Rouge Symphony (Händel’s Messiah), and the Utah Symphony. In addition to performing, Travis has taught voice at the collegiate level for Tulane University, Southeastern Louisiana University, Eastern Kentucky University, Southern University, and Baton Rouge Community College. After teaching at the collegiate level for more than ten years Travis received his certification in K-12 music education in Louisiana and began teaching at Westdale Middle School in Baton Rouge, LA. In July of 2018 he moved back to Iowa and is currently the Director of Choral Activities at Regina Jr. High and High School in Iowa City, IA. There he directs the High School Choir, Jr. High Choir, and musical theater. Travis currently resides in Iowa City with his wife, Molly Dahlberg, and their cats Father Vicar Priest and Catsy Feline. An avid baseball fan, Travis has gotten, and caught, more than 75 foul balls at MLB and MiLB games in more than 20 different stadiums across the country including Minute Maid BallPark in Houston, Busch Stadium in St. Louis, and the Great American Ball Park in Cincinnati.

2025 Opera Events Calendar

 2025 Soo Opera Calendar of Events

Please see the poster to the right for all of the upcoming Opera-related events.

Visit the Soo Theatre Box Office for Tickets to Events happening at Soo Theatre.

Email opera@sootheatre.org to reserve your spot at our Annual Fundraiser Home Concert “Around the Piano.”

To purchase tickets for the Soo Opera’s Touring Production of Le Nozze Di Figaro, click here.

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